Sunday, 22 May 2011

Once upon a time



Story telling in contemporary art makes references to fables, fairy tales, apocryphal events and modern myths. Some photos in the genre of Tableau photography are more open ended. We don't see how it’s set up but the finished piece of art that we are left to decide for ourselves what the story is by the visual narrative in the frame. With Tableau photography we can see a story by the narrative in a one frame, whereas normally we rely on a series of images to lead us to or own conclusion. However, this is something that we have been doing for years. When we look at a painting we look for visual clues in order to gather and opinion on what it’s about and any deeper meaning is shown in a painting obvious or not, it’s there for us to see. This photo by Jeff Wall, Passerby, tells a story of strangers crossing paths at night which is something that our society is aware of. The lighting, time and body language of the ‘strangers’ makes us suspicious. Even the discreet stop sign in the distance acts as a warning. When we look at this image everything about it tells us that something isn’t right. The fact that it’s a situation that we can all relate to makes it even more disturbing. We see a stranger at night, all we want to do is get as far away from them as possible because we can’t trust what they’ll do.

The photograph as Contemporary art by Charlotte Cotton
http://en.wikipedia.org/wiki/Tableau_vivant

Saturday, 21 May 2011

DeadPan and contemporary



DeadPan is when an image, created for a gallery is aethetically cool, detached and sharp.  The results can be breathtaking, especially when the images are engaging us with emotion. Deadpan became very popular in the 1990's particularly with landscape and architectural subjects. Deadpan offers an alternative to painting and contemporary photography is taking over. Nowadays we have, more photography going on the walls of galleries than ever. In years to come there’ll be more photography than paintings. Our world is changing and technology changes too. I see it no differently to classical paintings becoming more abstract as years go by. When there was no digital photography and there were few professional photographers. The work was original but no it seems that every idea has already been taken. Contemporary art photography allows us to be more experimental and come up with something different no matter how strange the idea is. It seems the stranger the approach the more successful it is. Contemporary photography still has a narrative and is similar in some ways to Cinema. I think that if you stage an idea you can come up with something and present it in a way that is yours. For me, there are too many portraits around that are too similar. I like to see something different, unusual, something that makes me go wow I wish I’d come up with that Idea.

http://www.contemporaryworks.net/
http://www.telegraph.co.uk/culture/art/3589720/The-new-passion-for-deadpan.html

Tuesday, 17 May 2011

Ralph Eugene Meatyard










American Photographer Ralph Eugene Meatyard, born 15 May 1925 is considered by his peers to have created the most original and disturbing photograpic imagery ever! In fact his work consists of dolls, masks, family and friends in abandoned places. His work is very experimental using multiple exposure and deliberate camera movement.
He wanted to reveal a higher truth than fact; use the reality to create a dream like scene. He had two main interests of the scientific nature if camera vision and the spiritual essence behind the visible world. The three main parts of his life were made up of art, career and his family; who were his main photographic subjects as well as his friends. His work isn’t directly about him but it does reveal him.

 He creates stories that never actually took place. Instead they are deliberately paradoxical questions or riddles allowing us to let go of all logical thoughts we have when looking at the images at reading into them. These images are a cross between parables and paradoxes. There are the themes of young to old to death, relationships between parent and child in dramatic settings. The females are usually the protagonists and he considers childhood to be a care free time that’s full of curiosity, a time of unbound optimism and imagination. When children play they imagine the reality to be something magical.

His photography shows the gradual change from childhood to adulthood using masks to show a head that’s too big for the small body. These masks had exaggerated features, idiotic grins and wrinkled skin. Sometimes the children are wearing big hands that too have out grown their body. This is to show the awkwardness of a teenage boy whose limbs have grown too quickly for the body to adjust.

There’s something about his work that touches me. Although disturbing as his work is ,I really like his approach to this topic of childhood and how he cleverly creates his unreal stories that I can really believe when I look at his work.

 http://themorbidimagination.com/tag/ralph-eugene-meatyard/
http://www.mocp.org/collections/permanent/meatyard_ralph_eugene.php

Monday, 16 May 2011

Tim Walker


Tim Walker is a British fashion photographer who's photographed for vogue over the last ten years. He has also worked as a full time assistant to Richard Avedon.  His work certainly is some of the most imaginative that i've come across. Who dyes cats a different colour, or projects a film on the side of a house or hangs cakes from a tree or furniture. He creates very imaginative sets that are never shot in the studio and he always uses natural lighting and no flash. If he has to bring an extra light it's to stimulate the natural lighting that's already there. His ideas feature very theatrical characters in a surreal world. He recreates modern day nursery rhymes and fairy tales such as princess and the pea.




.





The work that goes into his sets is amazing and i can't help but apreciate his imagination and how he chooses to show his ideas. He comes up with all the ideas himself and the sets take up to a month to prepare and two weeks to prepare for the shoot itself.  Tim Walker says that fashion photography allows him to create a fantasy. He creates a moment in an unreal situation. It's amazing to find out that he never manipulates his images. I think thats his very is truly inspirational.









http://www.youtube.com/watch?v=TyqIbkWaUpE

http://www.mymodernmet.com/profiles/blogs/pictures-from-wonderland-tim
http://www.vogue.co.uk/biographies/100719-tim-walker-biography.aspx

Anna Gaskell



Anna Gaskell photographed through the eyes of Alfred Hitchcock. Her stories are based around the adventures of adolescent girls who overcome the injustices that they encounter but we never find out how the story ends.  These girls are caught in a situation of fear and anxiety. Her work makes the world look like a very grim place. She is not interested in the beginning or the end of the story but the in between narrative. She uses generic characters that remind us of real life.





Her work is very seductive and we begin to love her work and the aesthetics of the image itself before we reaslise the twisted truth that is actually being shown to us. Young girls are wearing fetish nurse outfits; combining the innocence of childhood with eroticism. This intense psychological photographic tableau is inspired by fairy tale but plays on their more sinister meaning. Who in these images are good and whose bad? Or is good and bad the same person?



The colours are very vibrant and strong set against a high contrast of shadow and light which makes me feel uneasy. The ambiguity is what frightens me; i don't know what's going to happen next, if something terrible is going to happen or it'll end happy ever after.





 http://the-artists.org/artist/Anna-Gaskell
http://www.postmedia.net/999/gaskell.htm
The photograph as contempoary art by Charlotte Cotton

Modernism / Postmodernism






Our world has constantly been changing due to things like war and technology. We have to adapt like animals to survive. I know that there's alot of things that we have that we don't need to survive but now that we have them could we live without them? Now i have my camera and laptop i couldn't imagine a world without them. The art world was made up of big classical paintings and now the art world revolves around photography. Photography can be used in art. You can class yourself as a photographer or and artist even if you don't take the photo. And no that a lot of people have the opportunity and resources to become photographer, more and more people are trying it. People could take a really good picture by freak chance and it could end up being published whereas before A really good photograph was left to the professionals and it took a lot of work. In some ways our modern day society has taken photography to a whole new level that has improved greatly but what I’m not keen on is this. Is there too much competition now? Do people appreciate photography like they used to? One thing is for sure; Analogue photography is slowly disappearing but will never be forgotten. It is its history that makes it such a precious thing.

http://en.wikipedia.org/wiki/Photography

http://photo.net/philosophy-of-photography-forum/00CTVK



Feminism




Our society has come a long way since 1897 when women suffragettes fought for womens rights to vote. We wanted equal rights as men. For years womens work was in the kitchen, cooking cleaning and looking  after the children until thhe husband came home only to be greeted with a meal that the woman had slaved over the stove for. Cindy Sherman played many steryotypical roles of the woman in her flm stills. Looking at her work, these roles are still apparent in todays society the only difference is that the men help out with the housework or children too. Yes things have changed and for the better but yet there are still arguments over whereether we are equal. This point could be argued forever.The point is things have changed. If a company was to be sexist then they could be taken to court. There's too much fear nowadays which can mean that if a man gets chosen over a woman for the job it could be seen as sexist. This is where our society takes it too far. It  was a huge battle that had been won when the suffragetes got the vote but now feminism has been taken to the extreme and is illogical. A woman can't even dress the way she wants without being judged or frowned upon. Women feel like they need all this make up and designer clothes to make us feminime. A man can dress scruffy and no one will think twice. Surely what makes us feminime in the  fact that we were born female. Let us be who we want to be.

http://www.guardian.co.uk/world/feminism
http://en.wikipedia.org/wiki/History_of_feminism
http://www.psychologytoday.com/blog/the-scientific-fundamentalist/200908/why-modern-feminism-is-illogical-unnecessary-and-evil
 Cindy Sherman, The complete Untitled film stills, The museum of Modern art